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My Dearest Tangueros,
Sincerely, this is the way I feel, you
are all very dear to me. We were invited to a milonga at the
beautiful new home of La Bella y Guapa Angela, thank you
Angela for your hospitality. We were happy to see our
neighbor tanguero friends from Austin and of course we were
very happy to see, once again, our dear tanguero friend,
Greg Brown, as handsome as ever.
Amigos y amigas, I thank you profusely for your presence at
Circa these two past Mondays evenings to help me welcome my
dear friend, Dr. Robert M. Greenburg. Her spent an entire
week in San Antonio getting to know my tango group at Circa.
In his honor I had a milonga in my home (Mi Casa Es Su
Casa!) to continue enjoying Robert's company.
I wanted him
to have a happy experience during his week in San Antonio
and to let him know that he has friends in San Antonio One
of the nights I took him to Cippolina in Austin. What a
pleasant surprise he had when he ran into Patty Alvarez,
whom he had met before in Buenos Aires. Patty lives in San
Luis Potosi, MX. She and her friend Fernando Solari came to
Circa this past Monday to join us at our weekly milonga and
also to say goodbye to Robert. Patty and Fernando
congratulated me for the success we have at Circa, thank all
of you! It is indeed a success, you, my dear tanguero
friends, make this success possible. You all fill me with
happiness and also with energy to continue dancing Tango and
encouraging me to continue coming weekly from Eagle Pass
to S.A. QUE VIVA EL TANGO!!!
I want to remember my friend Judith Foster and to
give her my most sincere thanks for inviting Roberto and me
to partake and savor the delicious Paella that she so
lovingly prepared, one of her may delicious recipes, she's a
gourmet cook, most excellent. We enjoyed the evening eating,
drinking in the company of Judith, Jack, Terry and his wife
. Roberto left me with an idea, which I am be able to
realize at Circa and surprise for all of you. I will
advance a little information, Roberto is thinking about
sending to Circa Maria de Buenos Aires, so that we can enjoy
her singing which she does with lots of style, passion, love
and the exquisite feel for Tango. It will be an
unforgettable evening, I assure you my tanguero friends. I
hope you will enjoy the June photos of the Mi Casa Milonga and
Circa B will post latter this month, I will send a notice
when they are available.
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Evolutionists
Vs
Traditionalists |
When
dancing at a milonga, most tangueros have a (very?) hard
time identifying a tango or the orchestra that is playing
the recording.
Over the next few articles, I will present a few simple
tricks to learn to differentiate many orchestras.
But why should a tango dancer care at all about which
orchestra is playing? After all, it's just tango and you
do not need to know who is
playing to enjoy dancing to it, right? Not quite - to
better express your musicality and your tango, and to
better let your partner express
his/hers, it is essential to have at least some idea what
kind of tango is playing, and what to expect from the
music. After all, tango is not
about steps, it’s about what happens between the
steps…
There are two basic categories (or families) or Argentine
tango orchestras: the evolutionists and the
traditionalists (no, not the
creationists). Every tango orchestra exhibits the traits
of one (or both) of these two categories.
A traditional orchestra focuses on the marching rhythm
(regular beat) of tango. Evolutionary orchestras give more
emphasis to melody
and are likely to play with the rhythm, successively
slowing it down and then accelerating it. Here are a few
excerpts of traditional and
evolutionary tangos. Click here
to hear Hotel Victoria (interpreted by Juan D’Arienzo).
Click here
to hear Pocas Palabras (interpreted by
Ricardo Tanturi – Alberto Castillo). Click here
to hear Nueve de Julio (interpreted by Donato Racciatti).
These three excerpts are all
traditional tangos. The following tangos are evolutionary.
Click here
to hear Inspiracion (interpreted by Osvaldo Pugliese).
Click here
to
hear A Evaristo Carriego (interpreted by Ryota Komatsu).
Click here
to hear Invierno Porteno (interpreted by Sexteto Mayor).
Now that you can discern a traditional orchestra/tango
from an evolutionary one, here is the main musicality tip
of the month…
If the tango is traditional, ornaments should be kept
short, sharp, and simple. The most important thing when
dancing to a traditional
tango is to keep the beat. On the other hand, if you are
dancing to an evolutionary tango, you should be prepared
to express yourself
through slower and larger movements (if you have room, of
course). To make larger steps, remember to bend the
support knee more
than usual. When dancing to an evolutionary tango, the
gentlemen should try to leave more opportunities for the
lady to express herself.
The next two chronicles will focus on the D’Arienzists
(most predominant sub-class of the traditional orchestras)
and on the Decareans
(most predominant sub-class of the evolutionary
orchestras).
Keep
the questions coming, I love them! Hasta la proxima tanda,
tango
on
Eric Lanoix |
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Email eric@tangotango.us
with questions and visit tangotango.us
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book review . . .
" This
book is an invitation to live an impassioned life of
celebration, Eros, and fierce gratitude. It chronicles two
years of love affairs with evocative journal entries, love
letters, and rich, sensual poetry. Conversing with her
actual lover, and her Spirit Lover from Argentina, Mexico,
and the USA, the book was inspired by Argentine Tango, the
Muse of Eros, and the exotica of Latin cultures. Beautiful
poetry!" -G.J.
"This is magnificent writing. The author has brought
the magnificent, bursting
hearts and artistry of the Elegiac love poets of ancient
Rome into our time, and
our time into their magnificence. And then there's the
brutality evocative of Anais Nin to set me reeling down
another street of this smokey habitat she's created.
Fabulous. I'm also glad of the last part, where she brings
the reader into another dimension of her reality; surgery
and its aftermath. " E.M.
"I used to eat chocolate before going to bed. Now I
read, and savour, this sweet book." K.S.
"A wonderful bedside companion for Tango
dreams"...tu
hermana tango
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To
purchase your copy of Love
Language, click the links below or
email Christina. http://www.beyondtango.com/Love_
Language/Tango_Poem/tango_poem.html
Email: kikibri@earthlink.net
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Ask
Maleva !
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Dear
Maleva,
Am I too young to dance tango? (I'm only eighteen years
old.) From the looks of the pictures on your website
everyone's at least 30. I'd feel uncomfortable...like I
couldn't relate to them. What do you think? Is there
anywhere I can dance in NYC where I can find more people my
age?
Thank you ,.. M.
Dear M,
No, you're
not too young! There are lots of older people, true, but
there are plenty of people in their early 20s too. Certain
milongas in NYC attract a younger crowd, especially
Triangulo on Tuesday nights. Eventually you become friends
with everyone though and it doesn't matter how old anyone
is. That's the nice thing -- you'll meet people whom you
normally would never interact with and you stop thinking
about then in terms of how old they are. I never would have
though I would have real friends who are in their 60s and
older.
But of course, you want people your own age too and trust
me they're there. I am in my late 20s now and I started
going out dancing at 23. There are lots of others in their
20s and some even in their teens. Come try it; I think
you'll fit right in and won't even remember how old you are
in a while.
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Ask Maleva
is published courtesy of
www.close-embrace.com
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DANCING TANGO ON THE
CROWDED FLOORS
MAKING YOU CRAZY?
LEARN THE BEAUTY OF
“CONFITERIA STYLE”
TANGO AND THE FUN OF MILONGA “TRASPIE”
Learn the intimate embrace, the fundamentals, the rules
of the dance floor, the “Apile”,
how to walk back and forward in
close embrace, learn the fundamentals variations on the
traditional “Ocho Cortado”, timing
and syncopation of the “Back Ochos”,
walking combinations, turns and double-
times.
Instructor…ORLANDO BUDINI
Saturday July 30, 2005
The Dance Place
3300 Chimney Rock, Suite 500
Houston, TX
713/231-3523
Work shop: 12am till 4:15pm
“CONFITERIA STYLE”
I:
12:00am to 1:15
“MILONGA TRASPIE“:
1:30pm to 2:45
“CONFITERIA STYLE” II:
3:00pm to 4:15pm
Complete work shop package of
3 courses $ 45 per person.
*Couples $ 80 for both
For additional information and/or reservations
call: 713/231-3523
Instructor information:
www.metatango.com
*Please participants must be dancing
Tango
already.
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I don't often write for
LVT but when I received this wonderful compliment
second hand and could not help but
print it...
"The web is amazingly rich with tango
resources. I subscribe to an e-zine (they send you an
email notification of a new issue, you click on the link to
get there) called La Vida Tango from San Antonio.
While most local tango resources are usually just
that...local, this one is very much tango skill and world
tango directed in addition to the local scene. Their
chief columnist is Orlando Budini, a man I've never met but
have had several email exchanges. He travels the world
tango venues (I met him by email when he did a piece on the
Paris tango scene and I commented on it.) and writes about
it. He's currently in BA writing from there.
There is a tango version of "Dear Abby" called
"Ask Maleva" with people writing in about tango
problems. (This month's problem is a busty woman going
to BA for the first time and worrying about dancing close
embrace.)
And there are other rotating columns. This month's
column is on tango technique, specifically the leader's
tango walk. "Some
Technical Hints for Tango Walk" By
Elena Pankey.
Best regards,
Steve Zimmerman, Arizona, USA"
Thank you Steve and a huge thank you to all who contribute to
LVT, you make this all possible and see we do have grateful
readers out there...
... tu hermana tango
B
publisher@lavidatango.com
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Tango
Art for You
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AMONG TANGOS
AND
MARIACHIS
By ORLANDO
BUDINI
Reporting from Mexico . . .
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I only know two ways to
find out about the best and most popular Tango Venues when
I get to a big City like Mexico: “internet” before you
got there and “asking” once you are there. I
personally prefer the second one because internet forbid
me the personal satisfaction of discovering by myself
which is very important for my gipsy ego. So once I
checked in the Century Hotel in the Pink Zone I asked
around for a Tango place … oh my, nobody knows anything
I asked for an Argentinean Restaurant and everybody had a
different one to recommend! “La Parrilla Argentina”
was the best option, so once I had a big and juicy steak I
found out that they were having a Tango Show that evening!
After presenting myself and sharing with the dancers a
couple of glasses of Argentinean wine, I had all the
information I need to Tango in Mexico
City! The corner of Marsella and
Dinamarca streets in Mexico City seems to be thecorner of
tango and “El Arrabalero” the place from where, one
way or the other,Tango spread out all over Mexico, with
practicas almost every day and milongas on weekends.

This colorful and elegant bar struck my imagination the
first night I was there. The glamour of its tables mixed
with a live tango orchestra and Tango ornaments makes the
place to be what it looks to be: a Tango from the 40”s!
(the bell époque for Tango). I met nice and wonderful
Tangueros Mexicanos and was well impressed with most of
them. There is one that had all my Tango-Credits in that
trip: Paco Romero, he calls himself “Milonguero 12”
and his style and passion for tango are so particular that
he speaks “lunfardo”. He is a tango poet and he
usually says things like this “Tango protects you from
the exterior world… and keeps you warm without
irritation” of course a guy like this has to be my
friend! The others seem to love tango as much as any one
of us or maybe more because according to the beautiful
Maja Wallengreen they are “the youngest tango
association of the world”. What they certainly are and I
had told that to some of their teachers like Monica Blanco
or my friend Peruschia, is one of the most enthusiastic
and active tango community I know. Their level of dancing
is very good, which it means consequently that their local
teachers also have to be very good. Other places to tango
in Distrito Federal are “Parque Mexico” on Sundays (I
did not have the chance to go to this place I had an
exhibition that day) where I did have the chance to go and
the pleasure of dancing with beautiful tangueras Mexicanas,
was to “Casa Juan Ruffo” a wonderful and colonial
Cultural Center placed in Colonia del Valle. Being here
brought back treasured memories of my tour to San Miguel
de Allende, MX, an old and astonishing colonial city that
has been “frozen” in the time. I was under a teaching
contract with Christina Johnson for a 4 day tango “Fiesta
Festival” event with participating dancers and students
coming from all over Mexico and the USA. A wonderful
experience for me as I was part of the teaching team along
with other teachers that I love and respect: El Indio
Benavente (an authentic tango street dancer from San Telmo)
with Mariana and Fabian Salas (one of the greatest
innovators in tango) and his partner Carolina. I taught 3
or 4 classes per day and besides the cities 6.000 feet of
altitude, what impacted me the most was the enthusiasm and
the sincere desires of the students to learn more and
more. I remember Percell St. Thomas an tanguero from
Alaska, owner of 2 tango studios, paying full attention to
my milonga “traspie” class as though it was the first
tango class of his life, Nailea Norwing a swift and
beautiful actress from New York asking me to teach her “ocho
cortado” or Jesus Bernal with a couple of Chinese guys
from Guadalajara asking me to show them how to make a good
“sentada milonguera” while Buddy was trying to take
pictures of us. I also remember Loreen and Josue friends
and teachers from San Antonio, TX, waving at me while
happily walking on the Plaza during their free time… and…
how to forget Dr. Castaneda and his wife Antonieta, my “personal
doctors” like El Indio call them because they gave me
some medicines for my cold!. One more time like in many
other occasions during my tango life, Christina’s
festival in San Miguel de Allende, MX was not only the
dance... it was also the sharing, it was also the sincere
and open friendship! I digress…
On the way back to Distrito Federal, Queretaro (another
beautiful Mexican town) used to be a city without tango…
until a tanguero from the USA fall in love with a Mexicana…
now Queretaro has Tango and Graeme Clark “a gringo
tanguero” is the dedicated teacher of an enthusiastic
and growing Tango community. Monterrey, a very important
center of Tango in Mexico, is another example of what
Tango is capable of doing for men and women or women and
men are capable of doing for Tango. During a visit to my
friend Raul Cadena (one of my students during Metatango
Festival in Houston) I notice that he usually holds
work-shops and milongas with important tango stars as
teachers… without charging a single penny to
participants for the classes!. On top of that he pays the
teachers from his own pocket!. The University of Monterrey
has regular courses of Tango and the Tango Association of
Monterrey (founded in 1977) finances a “Tango Singers”
School that holds weekly “Tango Singers Auditions” at
el kiosco de Plaza Santa Isabel. I haven’t seen anything
like this in my all tanguero’s life, not even in Buenos
Aires! I take my tanguero’s hat off to salute all those
tangueros Mexicanos for a job well done! … I will not be
surprised if on my way to teach Tango, Tango “Teaches me”
more about human behavior than life and experience!
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Zòcalo.....is a
Spanish word for main square such as
the Main Plaza in downtown San
Antonio that is bounded on one side
by the San Fernando Cathedral, on
the other by the old Bexar County
courthouse and the other two sides
by businesses and apartments. One of
our tangueros Steven Brown had
recently returned from a trip to
Mexico city in which he witnessed
dances by the local denizen in the
town squares.
Steve was taken aback
by the beauty and romantics of the
setting in which the Mexican folk
chose to have their dances. Upon his
return to San Antonio he set
out on a quest to find a location
that would transcend the emotions he
felt while in Mexico City. He and
his able bodied tanguera searched
the city relentlessly until they
chose the Main Plaza as the site of
their next impromptu milonga. Steve
would not let any obstacles keep him
from accomplishing his mission, not
the treat of the law, nor the Texas
heat, nor the ridicule of the
locals.
As it turned out it was a
wonderful experience had by all that
braved the idea of a milonga in the
town square.
Tourists and locals
alike watched and photographed the
San Antonio Tangueros as they glided
through their giros, back ochos and
ganchos.
Main plaza, Left
to right, Kathy Robertson and Frank Huddleston,
Pauline Cushion and Terry Baush, Julie
Barnett and Roy Montejano.
Photo
by Steve Brown
Julie Barnett and
Steve Brown. Photo by Roy
Montejano

What a good
looking enthusiastic bunch! Terry,
Pauline, Frank, Kathy, Julie, Steve.
Photo
by Roy Montejano
Steve thanks for the great
experience even though I wasn't
aware of your romantic side. |
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Bouquet of Tango
June 2005, an Exotic Tango Vacation
Golden, voluptuous mounds of
hills lay to the east of us. Undulating rows of grapes flirted with us
in the afternoon sunshine. The vineyards clothed the hills in graceful
robes of green; a backdrop to the welcoming tasting rooms of Anderson
Valley, California. I had just picked up the two tango teachers at the
airport in San Francisco, and we were headed for the Inn for a restful
evening before events started the following morning. The CD player of
the rental jeep was spouting Spanish poetry in an Argentine accent and
Paulo Araujo and Eduardo Saucedo were enjoying the ride to the Mendocino
coast, well, almost enjoying it. Eduardo’s pale face looked
reproachfully at me in the rearview mirror. “Can you take those curves
at a kinder pace, mi vida?” I slowed my enthusiastic pace and Eduardo
relaxed.
“Where are those trees that are so big it takes several people to
embrace them?” asked Paulo. “Oh, that must be the redwoods" I
answered. " We will be driving through a forest of them soon.” As
we entered the forest, the light dimmed and the air cooled. Mists were
rising in the densest deep woods. These trees were young and only a few
had the famous, huge circumference. A palpable peace accompanied their
stature. Paulo kept asking “how far do we go till we reach the ocean”,
a native of Rio de Janeiro. Eduardo was focused on finding
somewhere to buy cookies. Eduardo’s parents own a bakery in the town
of Santa Fe, Argentina and he grew up with daily fresh baked goods.
The sky seemed to open and expand as we reached the coastline and HWY 1 and then we headed north to Little River. Our tango
destination was the Little River Inn, just three miles from the quaint
town of Mendocino. I had last visited Mendocino in June 2004, my first
visit having been 28 years before. It is still one of the most scenic
places on earth, and a perfect destination for an Exotic Tango Vacation.
For these special trips, I search out fantastic natural environment,
artistic atmosphere, and a place where memories and moments are
magically created. The Inn spread beautifully over a hill overlooking the sea. I could not
wait to meet Joan Russell, the sales rep for the hotel who had so
effortlessly organized all my proposed dreams and made them actual
events we would enjoy. We were all ecstatic over our rooms at the Inn.
Wide private verandas with rocking chairs spread out towards the sea.
Fireplaces piled high with wood were in our rooms. Soft and comfortable
warm bedding adorned our beds, and we had huge Jacuzzi tubs. Our rooms
were a few paces, literally, from the dance salon. The salon, also was
surrounded by a very large wooden deck, with benches to sit and
contemplate the sea.
Over the next few days, we had classes with both teachers, learning two
very different approaches that kept us alert and curious. Eduardo’s
approach is elegantly joyful and energetic; Paulo’s introspective,
evocative and probing. When not dancing, we walked over acres of
botanical bliss at the seaside gardens, accompanied by Mario, a sexy
encyclopedia of horticultural knowledge. We lunched in the garden, and
savored homemade ice cream for dessert. The winds whipped our hair and
made us walk arm and arm, bundling together in the cool air.
We enjoyed
a delicious Asian catered dinner together, after our dance salon was
transformed into an elegant dining room. And then back into a milonga
room. We had a feast of organic flowers from the local gardens and a
wine tasting. Julia Conway, a professional chef, lectured on everything
from how to correctly sharpen your knives, to how to make simple wrapped
organic food for special events. She was joined by Neely Bryant, who
explained how to correctly eat flowers for their sweet, and simple
crunch, what blooms to avoid that are toxic and bitter, and gave ideas
for using them lard-tistic in salads. Azure bachelor buttons, flaming
geraniums, velvety pansies found their way to our lips and left pollen
on our noses. John Sverko was our wine expert, who was so entertaining,
and such a wine wizard, that we were first intoxicated by his words, and
secondly to a world of flavors and bouquets that were nascent in the
neighboring vineyards. That night, after the blooms and wine, we had a
big bonfire on the beach. Fire flickering on happy faces, arms linked,
we munched marshmallows and hot dogs melting over the fire, steaming
cups of hot chocolate kept our hands warm. We had begun this week as
strangers and were fast becoming friends. And then I had an “aha”.
This is the reason I created Exotic Tango Vacations. Initially, as a
woman who lives far from an experienced tango community, I wanted to
create an opportunity to dance. However, I noticed that it is not tango
by itself that makes the skin glow and the blood leap in our veins. It
is the bonding of two that lends each to the other the ability to go
further and deeper than we ever can by ourselves. There is kinship in
this deeper voyage and the kinship is what leads me.
let's tango!
Christina Johnson
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If you are interested in
attending the PASSION of the AMERICAS TANGO
FESTIVAL taking place in San Miguel Allende, Mexico in November,
2005 visit www.beyondtango.com
for all the particulars. |
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BUENOS
AIRES CULTURE ON THE WEB
Pérez
Celis at La Boca: color for a porteños'
passion
Pérez Celis shares his
living from Miami to Buenos Aires. His
early and fruitful artistic career led him
to live in several cities, such as
Montevideo, Caracas, Lima, Paris and New
York. But at the age of 65, the tireless
Argentine painter, muralist, engraver and
designer, doesn't give up getting back to
"his place in the world": the
porteño neighborhood of La Boca. This is
the place where he grown, where his
atelier is -at an old printing-house
building which façade he painted
himself-; where he covered the Boca
Juniors' stadium with a mural made of
Venetian mosaics; where he meets with
friends, cooks for them, makes plans,
works, talks….
Nowadays
he is in Buenos Aires presenting the
exhibition Xentenario, at the Benito
Quinquela Martin museum, at the
traditional barrio of La Boca. The event
displays 30 pieces of great size from
recent productions –including a portrait
of Quinquela, the painter of the city
port-, and it is part of the celebrations
due to the Centenary of Boca Juniors
football club, the most popular team in
Argentina and Celis’ favorite: “I was
born in Buenos Aires, but nationalized
boquense”, he jokes.
He gets serious when he
outlines the importance of this Boca's
exhibition: "In the first place, I am
proud to exhibit my work in the house
where Quinquela Martín lived, he was one
of the most popular Argentine artists and
maybe for that reason, he was ill-treated
by certain critics. In second place, La
Boca is an inseparable part of my life. I
lived many years in this neighborhood and
I'm still tied to it by means of
affection. And last but not least, I am a
Boca fanatic and I love to be part for its
Centennial celebrations".
Pérez Celis has the
ability to communicate with the most
diverse society classes, and that’s the
reason why he became one of the best known
artists in Argentina and abroad. He is
also a tireless researcher of his own work
and experiments with all the plastic
techniques, using a variety of materials
such as painting on canvas using mixed
techniques, metal, acrylic, oils, pastels,
water color, graphite, engraving, murals
made of Venetian mosaics, bronze, steel,
plaster and wood.
Visit
Let'sTanGO! for more information about
porteños’ culture, including tours, sites
of interest, restaurants, museums, milongas
and tango shows in Buenos Aires. Enjoy it !
click here!
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PASSION
OF THE AMERICAS
2nd
International Festival of Tango +
Jazz
NOV.2-5,
2005
San
Miguel de Allende, Mexico
by Exotic Tango
Vacations, LLC
Confirmed
teachers:
Paulo
Araujo from Brazil, Percell
St. Thomass from Alaska/Hawai'i. Hsueh-tze
Lee, from Boston, Ma, USA. Eduardo Saucedo,
from
Buenos Aires
Pre-Registration
price: July 1-Aug 1: $335
.... Aug
1-Sept 1: $400 ....
After
Sept. 1, space available, per event
only
MUSICIANS:
BLAS
RIVERAS Rio De Janeiro, Brazil
Saxophone, GERARDO
PEREZ Montevideo, Uruquay Bandoneon,
GLOVER
GILL Austin, Texas Piano, PEDRO
CARTAS Queretaro, Mexico, Violin,
GIL
GUTIERREZ San Miguel d/Allende
Guitar, ANTONIO
LOZOYA San Miguel d/Allende Bass
Your
Package includes: Tanguero
Loco: Tango show,12 classes and 4
milongasOR
Tango Genial: Tango show, 8 classes,
2 milongas, 3 extra events
OR
Tango Mundo: Tango Show,4 classes, 4
milongas, 1 tour and 1
extra event EXTRA
EVENTS INCLUDE: Hot springs swim and
lunch, Slow Food Mexican cooking
class, Gorgeous Hacienda lunch
*perhaps milonga.
ALSO:
Tours
of nearby fascinating locations,
milongas in colonial and artistic
settings, parties, adventures, and
everything with the lively
and exotic setting
of old Mexico. Lodging included in
separate packages starting at
$549 up to $969 for 4 nights and
basic package of tango. Hotel
package prices will fluctuate as of
JULY 1.
Call
Christina Johnson: (601)442-5355
Or email kikibri@earthlink.net
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| San
Miguel de Allende is in central
Mexico, nearest to the city of Leon,
but you may also fly into Mexico
City. There is first class bus
transportation from each of these
cities to San Miguel. San Miguel is
a mountain artist's colony, at
5,500+ feet, with turquoise skies,
and in October, fields of
wildflowers and excellent weather.
There is lots to see and do: several
hot springs, horseback riding,
hiking, and gorgeous restaurants.
The shopping opportunities abound,
and there are many art galleries and
night spots with great music. The
town itself is a protected national
monument, with narrow cobblestone
streets, buildings painted with sienna, scarlet, purple, and tropical
flowers cascading over the high
walls. The beautiful architecture
includes churches, homes, and
municipal buildings.
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