Edition IVX

July 1, 2005

My Dearest Tangueros, 

Sincerely, this is the way I feel, you are all very dear to me. We were invited to a milonga at the beautiful new home of La Bella y Guapa Angela, thank you Angela for your hospitality. We were happy to see our neighbor tanguero friends from Austin and of course we were very happy to see, once again, our dear tanguero friend, Greg Brown, as handsome as ever. 
Amigos y amigas, I thank you profusely for your presence at Circa these two past Mondays evenings to help me welcome my dear friend, Dr. Robert M. Greenburg. Her spent an entire week in San Antonio getting to know my tango group at Circa. In his honor I had a milonga in my home (Mi Casa Es Su Casa!) to continue enjoying Robert's company.

 

 

 

I wanted him to have a happy experience during his week in San Antonio and to let him know that he has friends in San Antonio One of the nights I took him to Cippolina in Austin. What a pleasant surprise he had when he ran into Patty Alvarez, whom he had met before in Buenos Aires. Patty lives in San Luis Potosi, MX. She and her friend Fernando Solari came to Circa this past Monday to join us at our weekly milonga and also to say goodbye to Robert. Patty and Fernando congratulated me for the success we have at Circa, thank all of you! It is indeed a success, you, my dear tanguero friends, make this success possible. You all fill me with happiness and also with energy to continue dancing Tango and encouraging me to continue coming weekly from Eagle Pass to S.A. QUE VIVA EL TANGO!!!
 
I want to remember my friend Judith Foster and to give her my most sincere thanks for inviting Roberto and me to partake and savor the delicious Paella that she so lovingly prepared, one of her may delicious recipes, she's a gourmet cook, most excellent. We enjoyed the evening eating, drinking in the company of Judith, Jack, Terry and his wife . Roberto left me with an idea, which I am be able to realize at Circa and  surprise for all of you. I will advance a little information, Roberto is thinking about sending to Circa Maria de Buenos Aires, so that we can enjoy her singing which she does with lots of style, passion, love and the exquisite feel for Tango. It will be an unforgettable evening, I assure you my tanguero friends. I hope you will enjoy the June photos of the Mi Casa Milonga and Circa B will post latter this month, I will send a notice when they are available.

T e`veo  en una         milonga !   
       Norma   

  norma@lavidatango.com


Evolutionists 
Vs 
Traditionalists

When dancing at a milonga, most tangueros have a (very?) hard time identifying a tango or the orchestra that is playing the recording.
Over the next few articles, I will present a few simple tricks to learn to differentiate many orchestras.

But why should a tango dancer care at all about which orchestra is playing? After all, it's just tango and you do not need to know who is
playing to enjoy dancing to it, right? Not quite - to better express your musicality and your tango, and to better let your partner express
his/hers, it is essential to have at least some idea what kind of tango is playing, and what to expect from the music. After all, tango is not
about steps, it’s about what happens between the steps…

There are two basic categories (or families) or Argentine tango orchestras: the evolutionists and the traditionalists (no, not the
creationists). Every tango orchestra exhibits the traits of one (or both) of these two categories.

A traditional orchestra focuses on the marching rhythm (regular beat) of tango. Evolutionary orchestras give more emphasis to melody
and are likely to play with the rhythm, successively slowing it down and then accelerating it. Here are a few excerpts of traditional and
evolutionary tangos. Click
here to hear Hotel Victoria (interpreted by Juan D’Arienzo). Click here to hear Pocas Palabras (interpreted by
Ricardo Tanturi – Alberto Castillo). Click
here to hear Nueve de Julio (interpreted by Donato Racciatti). These three excerpts are all
traditional tangos. The following tangos are evolutionary. Click
here to hear Inspiracion (interpreted by Osvaldo Pugliese). Click here to
hear A Evaristo Carriego (interpreted by Ryota Komatsu). Click
here to hear Invierno Porteno (interpreted by Sexteto Mayor).

Now that you can discern a traditional orchestra/tango from an evolutionary one, here is the main musicality tip of the month…

If the tango is traditional, ornaments should be kept short, sharp, and simple. The most important thing when dancing to a traditional
tango is to keep the beat. On the other hand, if you are dancing to an evolutionary tango, you should be prepared to express yourself
through slower and larger movements (if you have room, of course). To make larger steps, remember to bend the support knee more
than usual. When dancing to an evolutionary tango, the gentlemen should try to leave more opportunities for the lady to express herself.

The next two chronicles will focus on the D’Arienzists (most predominant sub-class of the traditional orchestras) and on the Decareans
(most predominant sub-class of the evolutionary orchestras).
Keep the questions coming, I love them! Hasta la proxima tanda, tango on 
      
   Eric Lanoix

Email eric@tangotango.us with questions and visit tangotango.us


book review . . .

" This book is an invitation to live an impassioned life of celebration, Eros, and fierce gratitude. It chronicles two years of love affairs with evocative journal entries, love letters, and rich, sensual poetry. Conversing with her actual lover, and her Spirit Lover from Argentina, Mexico, and the USA, the book was inspired by Argentine Tango, the Muse of Eros, and the exotica of Latin cultures. Beautiful poetry!" -G.J.
"This is magnificent writing. The author has brought the magnificent,
bursting hearts and artistry of the Elegiac love poets of ancient Rome into our time, and our time into their magnificence. And then there's the brutality evocative of Anais Nin to set me reeling down another street of this smokey habitat she's created. Fabulous. I'm also glad of the last part, where she brings the reader into another dimension of her reality; surgery and its aftermath. " E.M.
"I used to eat chocolate before going to bed. Now I read, and savour, this sweet book." K.S.
"A wonderful bedside companion for Tango dreams"...
tu hermana tango

To purchase your copy of Love Language, click the links below or email Christina. http://www.beyondtango.com/Love_
Language/Tango_Poem/tango_poem.html

Email: kikibri@earthlink.net

 Ask Maleva !

Dear Maleva,
Am I too young to dance tango? (I'm only eighteen years old.) From the looks of the pictures on your website everyone's at least 30. I'd feel uncomfortable...like I couldn't relate to them. What do you think? Is there anywhere I can dance in NYC where I can find more people my age?
Thank you ,.. M.


Dear M,
No, you're not too young! There are lots of older people, true, but there are plenty of people in their early 20s too. Certain milongas in NYC attract a younger crowd, especially Triangulo on Tuesday nights. Eventually you become friends with everyone though and it doesn't matter how old anyone is. That's the nice thing -- you'll meet people whom you normally would never interact with and you stop thinking about then in terms of how old they are. I never would have though I would have real friends who are in their 60s and older.
But of course, you want people your own age too and trust me they're there. I am in my late 20s now and I started going out dancing at 23. There are lots of others in their 20s and some even in their teens. Come try it; I think you'll fit right in and won't even remember how old you are in a while.

Ask Maleva is published courtesy of 
  www.close-embrace.com 


DANCING TANGO ON THE
CROWDED FLOORS
MAKING YOU CRAZY?

LEARN THE BEAUTY OF
“CONFITERIA STYLE”
TANGO AND THE FUN OF MILONGA “TRASPIE”

Learn the intimate embrace, the fundamentals, the rules of the dance floor, the “Apile”, how to walk back and forward in close embrace, learn the fundamentals variations on the traditional “Ocho Cortado”, timing and syncopation of the “Back Ochos”, walking combinations, turns and double-
times.
Instructor…ORLANDO BUDINI

Saturday July 30, 2005
The Dance Place
3300 Chimney Rock, Suite 500
Houston, TX
713/231-3523
Work shop: 12am till 4:15pm

“CONFITERIA STYLE” I:    
12:00am to 1:15

“MILONGA TRASPIE“:
1:30pm to 2:45

“CONFITERIA STYLE” II:
3:00pm to 4:15pm

Complete work shop package of 
3 courses $ 45 per person.
*Couples $ 80 for both

For additional information and/or reservations call: 713/231-3523

Instructor information:
www.metatango.com

*Please participants must be dancing
  Tango already.


Letters to the Editor!

I don't often write for LVT but when I received this wonderful compliment second hand and could not help but
 print it... 

"
The web is amazingly rich with tango resources.  I subscribe to an e-zine (they send you an email notification of a new issue, you click on the link to get there) called La Vida Tango from San Antonio.  While most local tango resources are usually just that...local, this one is very much tango skill and world tango directed in addition to the local scene.  Their chief columnist is Orlando Budini, a man I've never met but have had several email exchanges.  He travels the world tango venues (I met him by email when he did a piece on the Paris tango scene and I commented on it.) and writes about it.  He's currently in BA writing from there.
There is a tango version of "Dear Abby" called "Ask Maleva" with people writing in about tango problems.  (This month's problem is a busty woman going to BA for the first time and worrying about dancing close embrace.)
And there are other rotating columns.  This month's column is on tango technique, specifically the leader's tango walk. "Some Technical Hints for Tango Walk" By Elena Pankey.
Best regards,

Steve Zimmerman, Arizona, USA"

Thank you Steve and a huge thank you to all who contribute to LVT, you make this all possible and see we do have grateful readers out there...

... tu hermana tango B
publisher@lavidatango.com

Tango Art for You

AMONG  TANGOS 
AND  
MARIACHIS

By ORLANDO BUDINI

        Reporting from Mexico . . .

I only know two ways to find out about the best and most popular Tango Venues when I get to a big City like Mexico: “internet” before you got there and “asking” once you are there. I personally prefer the second one because internet forbid me the personal satisfaction of discovering by myself which is very important for my gipsy ego. So once I checked in the Century Hotel in the Pink Zone I asked around for a Tango place … oh my, nobody knows anything I asked for an Argentinean Restaurant and everybody had a different one to recommend! “La Parrilla Argentina” was the best option, so once I had a big and juicy steak I found out that they were having a Tango Show that evening! After presenting myself and sharing with the dancers a couple of glasses of Argentinean wine, I had all the information I need to Tango in Mexico City!    The corner of Marsella and Dinamarca streets in Mexico City seems to be thecorner of tango and “El Arrabalero” the place from where, one way or the other,Tango spread out all over Mexico, with practicas almost every day and milongas on weekends. 

This colorful and elegant bar struck my imagination the first night I was there. The glamour of its tables mixed with a live tango orchestra and Tango ornaments makes the place to be what it looks to be: a Tango from the 40”s! (the bell époque for Tango). I met nice and wonderful Tangueros Mexicanos and was well impressed with most of them. There is one that had all my Tango-Credits in that trip: Paco Romero, he calls himself “Milonguero 12” and his style and passion for tango are so particular that he speaks “lunfardo”. He is a tango poet and he usually says things like this “Tango protects you from the exterior world… and keeps you warm without irritation” of course a guy like this has to be my friend! The others seem to love tango as much as any one of us or maybe more because according to the beautiful Maja Wallengreen they are “the youngest tango association of the world”. What they certainly are and I had told that to some of their teachers like Monica Blanco or my friend Peruschia, is one of the most enthusiastic and active tango community I know. Their level of dancing is very good, which it means consequently that their local teachers also have to be very good. Other places to tango in Distrito Federal are “Parque Mexico” on Sundays (I did not have the chance to go to this place I had an exhibition that day) where I did have the chance to go and the pleasure of dancing with beautiful tangueras Mexicanas, was to “Casa Juan Ruffo” a wonderful and colonial Cultural Center placed in Colonia del Valle. Being here brought back treasured memories of my tour to San Miguel de Allende, MX, an old and astonishing colonial city that has been “frozen” in the time. I was under a teaching contract with Christina Johnson for a 4 day tango “Fiesta Festival” event with participating dancers and students coming from all over Mexico and the USA. A wonderful experience for me as I was part of the teaching team along with other teachers that I love and respect: El Indio Benavente (an authentic tango street dancer from San Telmo) with Mariana and Fabian Salas (one of the greatest innovators in tango) and his partner Carolina. I taught 3 or 4 classes per day and besides the cities 6.000 feet of altitude, what impacted me the most was the enthusiasm and the sincere desires of the students to learn more and more. I remember Percell St. Thomas an tanguero from Alaska, owner of 2 tango studios, paying full attention to my milonga “traspie” class as though it was the first tango class of his life, Nailea Norwing a swift and beautiful actress from New York asking me to teach her “ocho cortado” or Jesus Bernal with a couple of Chinese guys from Guadalajara asking me to show them how to make a good “sentada milonguera” while Buddy was trying to take pictures of us. I also remember Loreen and Josue friends and teachers from San Antonio, TX, waving at me while happily walking on the Plaza during their free time… and… how to forget Dr. Castaneda and his wife Antonieta, my “personal doctors” like El Indio call them because they gave me some medicines for my cold!. One more time like in many other occasions during my tango life, Christina’s festival in San Miguel de Allende, MX was not only the dance... it was also the sharing, it was also the sincere and open friendship! I digress…
On the way back to Distrito Federal, Queretaro (another beautiful Mexican town) used to be a city without tango… until a tanguero from the USA fall in love with a Mexicana… now Queretaro has Tango and Graeme Clark “a gringo tanguero” is the dedicated teacher of an enthusiastic and growing Tango community. Monterrey, a very important center of Tango in Mexico, is another example of what Tango is capable of doing for men and women or women and men are capable of doing for Tango. During a visit to my friend Raul Cadena (one of my students during Metatango Festival in Houston) I notice that he usually holds work-shops and milongas with important tango stars as teachers… without charging a single penny to participants for the classes!. On top of that he pays the teachers from his own pocket!. The University of Monterrey has regular courses of Tango and the Tango Association of Monterrey (founded in 1977) finances a “Tango Singers” School that holds weekly “Tango Singers Auditions” at el kiosco de Plaza Santa Isabel. I haven’t seen anything like this in my all tanguero’s life, not even in Buenos Aires! I take my tanguero’s hat off to salute all those tangueros Mexicanos for a job well done! … I will not be surprised if on my way to teach Tango, Tango “Teaches me” more about human behavior than life and experience!

HASTA EL PROXIMO TANGO!  Orlando
Contact Orlando Budini at orlandobudini@metatango.com 
Visit his web site http://metatango.com/index.html


2x4  de  San Antonio 

Zòcalo.....is a Spanish word for main square such as the Main Plaza in downtown San Antonio that is bounded on one side by the San Fernando Cathedral, on the other by the old Bexar County courthouse and the other two sides by businesses and apartments. One of our tangueros Steven Brown had recently returned from a trip to Mexico city in which he witnessed dances by the local denizen in the town squares. 
Steve was taken aback by the beauty and romantics of the setting in which the Mexican folk chose to have their dances. Upon his return to San Antonio he set out on a quest to find a location that would transcend the emotions he felt while in Mexico City. He and his able bodied tanguera searched the city relentlessly until they chose the Main Plaza as the site of their next impromptu milonga. Steve would not let any obstacles keep him from accomplishing his mission, not the treat of the law, nor the Texas heat, nor the ridicule of the locals.
 As it turned out it was a wonderful experience had by all that braved the idea of a milonga in the town square. 
Tourists and locals alike watched and photographed the San Antonio Tangueros as they glided through their giros, back ochos and ganchos.
 
Main plaza, Left to right, Kathy Robertson and Frank Huddleston, 
Pauline Cushion and Terry Baush, Julie Barnett and Roy Montejano.
Photo by Steve Brown
 
Julie Barnett and Steve Brown.
Photo by Roy Montejano

What a good looking enthusiastic bunch! Terry, Pauline, Frank, Kathy, Julie, Steve.
Photo by Roy Montejano

 Steve thanks for the great experience even though I wasn't aware of your romantic side.

Until the  next time, enjoy your tangos . . .

To contact Roy, email r.montejano@grandecom.net


Bouquet of Tango
June 2005, an Exotic Tango Vacation

Golden, voluptuous mounds of hills lay to the east of us. Undulating rows of grapes flirted with us in the afternoon sunshine. The vineyards clothed the hills in graceful robes of green; a backdrop to the welcoming tasting rooms of Anderson Valley, California. I had just picked up the two tango teachers at the airport in San Francisco, and we were headed for the Inn for a restful evening before events started the following morning. The CD player of the rental jeep was spouting Spanish poetry in an Argentine accent and Paulo Araujo and Eduardo Saucedo were enjoying the ride to the Mendocino coast, well, almost enjoying it. Eduardo’s pale face looked reproachfully at me in the rearview mirror. “Can you take those curves at a kinder pace, mi vida?” I slowed my enthusiastic pace and Eduardo relaxed.
“Where are those trees that are so big it takes several people to embrace them?” asked Paulo. “Oh, that must be the redwoods" I answered. " We will be driving through a forest of them soon.” As we entered the forest, the light dimmed and the air cooled. Mists were rising in the densest deep woods. These trees were young and only a few had the famous, huge circumference. A palpable peace accompanied their stature. Paulo kept asking “how far do we go till we reach the ocean”, a native of Rio de Janeiro. Eduardo was focused on finding somewhere to buy cookies. Eduardo’s parents own a bakery in the town of Santa Fe, Argentina and he grew up with daily fresh baked goods.
The sky seemed to open and expand as we reached the coastline and HWY 1 and then we headed north to Little River. Our tango destination was the Little River Inn, just three miles from the quaint town of Mendocino. I had last visited Mendocino in June 2004, my first visit having been 28 years before. It is still one of the most scenic places on earth, and a perfect destination for an Exotic Tango Vacation. For these special trips, I search out fantastic natural environment, artistic atmosphere, and a place where memories and moments are magically created. The Inn spread beautifully over a hill overlooking the sea. I could not wait to meet Joan Russell, the sales rep for the hotel who had so effortlessly organized all my proposed dreams and made them actual events we would enjoy. We were all ecstatic over our rooms at the Inn. Wide private verandas with rocking chairs spread out towards the sea. Fireplaces piled high with wood were in our rooms. Soft and comfortable warm bedding adorned our beds, and we had huge Jacuzzi tubs. Our rooms were a few paces, literally, from the dance salon. The salon, also was surrounded by a very large wooden deck, with benches to sit and contemplate the sea. 
Over the next few days, we had classes with both teachers, learning two very different approaches that kept us alert and curious. Eduardo’s approach is elegantly joyful and energetic; Paulo’s introspective, evocative and probing. When not dancing, we walked over acres of botanical bliss at the seaside gardens, accompanied by Mario, a sexy encyclopedia of horticultural knowledge. We lunched in the garden, and savored homemade ice cream for dessert. The winds whipped our hair and made us walk arm and arm, bundling together in the cool air.

 We enjoyed a delicious Asian catered dinner together, after our dance salon was transformed into an elegant dining room. And then back into a milonga room. We had a feast of organic flowers from the local gardens and a wine tasting. Julia Conway, a professional chef, lectured on everything from how to correctly sharpen your knives, to how to make simple wrapped organic food for special events. She was joined by Neely Bryant, who explained how to correctly eat flowers for their sweet, and simple crunch, what blooms to avoid that are toxic and bitter, and gave ideas for using them lard-tistic in salads. Azure bachelor buttons, flaming geraniums, velvety pansies found their way to our lips and left pollen on our noses. John Sverko was our wine expert, who was so entertaining, and such a wine wizard, that we were first intoxicated by his words, and secondly to a world of flavors and bouquets that were nascent in the neighboring vineyards. That night, after the blooms and wine, we had a big bonfire on the beach. Fire flickering on happy faces, arms linked, we munched marshmallows and hot dogs melting over the fire, steaming cups of hot chocolate kept our hands warm. We had begun this week as strangers and were fast becoming friends. And then I had an “aha”.

This is the reason I created Exotic Tango Vacations. Initially, as a woman who lives far from an experienced tango community, I wanted to create an opportunity to dance. However, I noticed that it is not tango by itself that makes the skin glow and the blood leap in our veins. It is the bonding of two that lends each to the other the ability to go further and deeper than we ever can by ourselves. There is kinship in this deeper voyage and the kinship is what leads me.

  
let's tango! 
Christina Johnson

If you are interested in attending the PASSION of the AMERICAS TANGO
FESTIVAL taking place in San Miguel Allende, Mexico in November, 2005 visit www.beyondtango.com  for all the particulars. 


BUENOS AIRES CULTURE ON THE WEB  
 

Pérez Celis at La Boca: color for a porteños' passion

Pérez Celis shares his living from Miami to Buenos Aires. His early and fruitful artistic career led him to live in several cities, such as Montevideo, Caracas, Lima, Paris and New York. But at the age of 65, the tireless Argentine painter, muralist, engraver and designer, doesn't give up getting back to "his place in the world": the porteño neighborhood of La Boca. This is the place where he grown, where his atelier is -at an old printing-house building which façade he painted himself-; where he covered the Boca Juniors' stadium with a mural made of Venetian mosaics; where he meets with friends, cooks for them, makes plans, works, talks….

Nowadays he is in Buenos Aires presenting the exhibition Xentenario, at the Benito Quinquela Martin museum, at the traditional barrio of La Boca. The event displays 30 pieces of great size from recent productions –including a portrait of Quinquela, the painter of the city port-, and it is part of the celebrations due to the Centenary of Boca Juniors football club, the most popular team in Argentina and Celis’ favorite: “I was born in Buenos Aires, but nationalized boquense”, he jokes.
 
 
He gets serious when he outlines the importance of this Boca's exhibition: "In the first place, I am proud to exhibit my work in the house where Quinquela Martín lived, he was one of the most popular Argentine artists and maybe for that reason, he was ill-treated by certain critics. In second place, La Boca is an inseparable part of my life. I lived many years in this neighborhood and I'm still tied to it by means of affection. And last but not least, I am a Boca fanatic and I love to be part for its Centennial celebrations".  
Pérez Celis has the ability to communicate with the most diverse society classes, and that’s the reason why he became one of the best known artists in Argentina and abroad. He is also a tireless researcher of his own work and experiments with all the plastic techniques, using a variety of materials such as painting on canvas using mixed techniques, metal, acrylic, oils, pastels, water color, graphite, engraving, murals made of Venetian mosaics, bronze, steel, plaster and wood.

Visit Let'sTanGO! for more information about porteños’ culture, including tours, sites of interest, restaurants, museums, milongas and tango shows in Buenos Aires. Enjoy it ! click here!


PASSION OF THE AMERICAS
 
2nd International Festival of Tango + Jazz
NOV.2-5, 2005
San Miguel de Allende, Mexico

by Exotic Tango Vacations, LLC

Confirmed teachers:
  Paulo Araujo from Brazil, Percell St. Thomass from Alaska/Hawai'i. Hsueh-tze Lee, from Boston, Ma, USA. Eduardo Saucedo, from Buenos Aires

Pre-Registration price: July 1-Aug 1: $335 .... Aug 1-Sept 1: $400 .... 
After Sept. 1, space available, per event only

MUSICIANS: BLAS RIVERAS Rio De Janeiro, Brazil Saxophone, GERARDO PEREZ Montevideo, Uruquay Bandoneon, GLOVER GILL Austin, Texas Piano, PEDRO CARTAS Queretaro, Mexico, Violin, GIL GUTIERREZ San Miguel d/Allende Guitar, ANTONIO LOZOYA San Miguel d/Allende Bass
Your Package includes: Tanguero Loco: Tango show,12 classes and 4 milongasOR Tango Genial: Tango show, 8 classes, 2 milongas, 3 extra events OR Tango Mundo: Tango Show,4 classes, 4 milongas, 1 tour and 1 extra event EXTRA EVENTS INCLUDE: Hot springs swim and lunch, Slow Food Mexican cooking class, Gorgeous Hacienda lunch *perhaps milonga.

ALSO: Tours of nearby fascinating locations, milongas in colonial and artistic settings, parties, adventures, and everything with the lively and exotic setting of old Mexico. Lodging included in separate packages starting at $549 up to $969 for 4 nights and basic package of tango. Hotel package prices will fluctuate as of JULY 1.
Call Christina Johnson: (601)442-5355
Or email kikibri@earthlink.net

San Miguel de Allende is in central Mexico, nearest to the city of Leon, but you may also fly into Mexico City. There is first class bus transportation from each of these cities to San Miguel. San Miguel is a mountain artist's colony, at 5,500+ feet, with turquoise skies, and in October, fields of wildflowers and excellent weather. There is lots to see and do: several hot springs, horseback riding, hiking, and gorgeous restaurants. The shopping opportunities abound, and there are many art galleries and night spots with great music.

The town itself is a protected national monument, with narrow cobblestone streets, buildings painted with sienna, scarlet, purple, and tropical flowers cascading over the high walls. The beautiful architecture includes churches, homes, and municipal buildings.

 



©
LaVidaTango2004
Revised  December 04, 2005